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This page was updated on:
March 13, 2011
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Ranga (SSLC) - film review
 A
peculiar mannerism of Sudeep, well-restrained direction by
Yogaraj Bhat, thoughtful dialogs by Soori - all put together
forms Ranga (SSLC), a complete entertainer. You can see shedding
blood but its not violent. You can see crying hero in front
of his mother's corpse but its not sentiment. You can see
stammering villain but is not over comedy. You can see gorgeous
heroine but is not awkward. You have everything but is not
an overdose - that's Ranga - Ranga (SSLC).
Starting from dialogs which is a big plus of the film, every
role here is so very characterized to create a whole new world
at every scene. Director demonstrated a great level of maturity
and promises. Film revolves around Ranga (Sudeep) who loses
father at his teenage itself. Mother Paru (Umashri)  is
everything for him. Ranga fails to clear his English paper
in SSLC exam despite of repeated attempts and hence becomes
Ranga (SSLC). This Samaritan runs an auto rickshaw for livelihood
and meets Padma (Ramya)- daughter of a doctor (Bank Janardhan)
belonging to a tradition family. This 'madam' soon comes close
to the heart of Ranga. In the meantime Kunta Naga (Rangayana
Raghu) comes out of jail who was under the wrong impression
that Ranga killed his son. Its time for revenge… Ranga's mother
dies in a blast planned by Naga's brother Kala (Maina Chandru).
Soon the same gang thrashes Ranga to death. What happens to
the heroine? You have to see the climax to believe it!
Ranga (SSLC) does not have any 'out of the world' story as
such but keeps you on your toes till the end. It makes you
laugh enough throughout. Whole film rests on the shoulders
of Sudeep when it comes to acting department - be it an action
scene, comedy, sentiment, innocence or romance, he steals
the show completely. After a mind-boggling performance in
Swathi Mutthu, Sudeep once again proves his hard work and
dedication. Director Yogaraj Bhat got a complete hold on the
ingredients of a commercial 'masala' movie.  He
maintains the speed throughout without a single dull moment.
Every frame is complete with one or the other - may be action
or comedy or sentiment. Ranga (SSLC) is good comeback for
the director after his debut film Mani. Dialog writer Soori
too has a lion share in the success. He portrays the roughness
of the character through his dialogs at the same time he retains
the softness or innocence of the same role - an outstanding
job by Soori. Producer N. Kumar deserves a big pat for betting
on newcomers and giving an opportunity to prove themselves.
Added to all these are the performance of Ramya. Umashri has
very short role but effective. Rangayana Raghu defines himself
differently but his dialog delivery should have been a little
easier to follow. Music by Sandeep Chowta has some local touch
and three are real good tunes. S. Krishna has done a good
job behind the camera. Overall, Ranga (SSLC) is perfect masala
entertainer in all aspect; for all class!
Direction: Yogaraj Bhat
Producer: N. Kumar
Music: Sandeep Chowta
Cinematography: K. Krishna
Cast: Sudeep, Ramya, Rangayana
Raghu, Umashri, Maina Chandru, Nagashekhar, Sanjana, Bank
Janardhan etc
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