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This page was updated on:
March 13, 2011
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Nenapirali
- film review by HiFi
So
many younger directors are coming up in Kannada. I think the
time has come for some old rogues to give way for enthusiastic
newcomers. But the sad thing is that, these newcomers have
to straight away start achieving BIGGER things! That's what
our people expect & more importantly our Industry demands
that. This has made life the miserable to newcomers. Under
such immense pressure, they are bit confused and hence don't
seem to show-off their actual prowess (they falsely stick
to some fixed rules)… But Ratnaja has certainly come up with
few answers at least...
1) Firstly, the director has come out of the rubbish formulas
of today (Macchu-Longu, Item Songs, Bombay Model-Dolls, Skin-shows,
Multiple-meaning dialogues, Remix Songs, screechy Hindi Singers,
Remakes, Partial Remakes, Collage Remakes, etc, etc). That's
really appreciable...
2) Secondly his Music Sense… Hamsalekha has really come up
with a Masterpiece here! My favorite song in the film is "Hey
Beladhingale…". That song has beautiful lyrics & music AND
is picturized & utilized very well in the film.
3) This film "absolutely" doesn't contain any lip-synch problem
whatsoever! This is real achievement by this film's team!
Very good lip-synch by all the artistes and good professional
dubbing-work by the dubbing artistes! It should have been
a real tough-work for them! This difficulty can be totally
removed, if they employ live-sound recording… Anyhow, applaud
their efforts!!! The film worth screening in USA.
4) Excellent Rerecording by Hamsalekha (Great Background Music).
Only a couple of songs have audio-mixing errors. Otherwise
rerecording is almost perfect... Camerawork & Editing are
not too Special, but are delightful enough...
Overall technically, the film scores 8/10
5) Wonderful acting by Varsha & Vidya Venkatesh. Varsha I
guess was a Udaya TV Anchor. She has a beautiful face & good
vocabulary skills and a very good smile. I think she can excel,
provided she finds more & more opportunities! My thanks to
the Director for giving a chance to our local artiste. Vidya
Venkatesh has shown good expressions in the matured role.
She would have used a dubbing artiste, but certainly has lip-synched
very well. These two could be a good bet for the other alleged
Kannada Beauties. But Prem Kumar needs to improve a lot. He
has the same kind of expression through out the film (the
disgusting thing is, the way he expands his nose through out
the film). Speaks in the same loud-voice through out the film,
even in calm scenes.
6) I will not tell the full story. Because all of you are
looking forward to watch this film! I liked the concept very
much (A Girl having mixed feelings about LOVE). At once, she
thinks LOVE is just there for fulfilling the desires in life.
Then, she thinks LOVE is something else stronger than materialistic
yearnings. But the story looks bit fragile (The connection
between first & second half is almost lost). I felt I was
watching a different film in the second half. "Indhu baanigella
habba…" is very badly timed (Should have appeared in the first
half. But the picturization & locations are good). Even the
beautiful "Droupadhi" song was not utilized effectively. But
the director is smart enough to utilize the title track in
bits & pieces.
7) The Screenplay is not clear (Lack of interconnecting elements).
When Kishore tells Ekanth that, Indhu is lying about her parents'
desire of searching a groom who is superior to Ekanth… After
this, suddenly Ekanth gets married to Indhu. I thought there
was scope for emotions here, and this could well have been
one connecting link in the screenplay. Then later Ekanth sending
Bindhu to Kishore's place… This could have been another link.
Both these links are improperly utilized by the director.
But the third link, when Bindhu understands Indhu's desire
to remarry Kishore, this is utilized better and the song "Hey
Beladhingale" carries the movie further. That's the best part
of the film… But the ending is somewhat usual & predictable…
(seen in many films! That too recently!)
8) The dialogues are long in some places… Could have given
more scope to facial expressions (Lack of Close-ups). The
dialogue "KaaLaji'goo Kanikara'koo iruva vyathyaasavenu…?"
is well penned… But certainly dialogues are not up to the
mark unlike AD (This should really impress some AD followers
in this forum! But what do you say about the difference in
technical aspects, especially lip synch? Nagathihalli & Prem
should feel embarrassed looking at this new director's involvement
in every department of filmmaking & every frame of the film!)
Art-wise, the film scores 6/10
Overall, the film scores 7/10 (Above Average)
My heart tells this film would be accepted by many people,
but mind has some dangerous doubts! Hope I'm proved wrong…
Time will tell...
Nenapirali -
film review by Ranga
Nenapirali - beLLi thereya mElondu drushya kaavya
---------------------------------------------------
Nenapirali is a clean, superb, musical, family entertainer.
The debutant director, talented Rathnaja has lived upto all
the expectations and the hype that surrounded him before the
release of the movie. There is a refreshing feel attached
with this movie, which can only be felt. Combined with the
magical lyrics and music of redoubtable Hamsalekha and the
top notch camera work by Rama Chandra, Rathnaja takes you
through this cool love story between four(or you can say three,
in the end) hearts.
It's not the usual run-of-the-mill, running-around-the-trees
type love story. Rather it's a movie which tries to find out
the meaning of true love, sympathy, care, sacrifice and opportunistic
attitude. In the end, it's the true love which wins!
Songs in the films are a virtual feast for eyes as well as
the ears. Especially "Olavu ontiyalla", "Droupadi Droupadi(manase
maha markata)" and "indu baanigella habba" songs made me to
jump with joy. Amazing songs! I am still in the dream world
created by those songs.
My personal best song in the movie is 'indu baanigella habba'.
The locations in the song and the picturisation is something
which is rare to Kannada film industry!
First half of the movie is simply breath taking. Clearly,
the credit of the first half goes to the master musician Hamsalekha
and the gorgeous heroine Vidya Venkatesh. Full credit to the
master Hamsalekha to have given the song 'Manase maha markata'.
The heroine Vidhya's feelings are so aptly knitted in the
form of words giving a philosophical touch that, Hamsalekha
simply rules.
The main hero Prem Kumar's role has been etched really fantastically
and the clarity in the views of that character is what strikes
you the most. The second half of the movie clearly belongs
to the hero Prem Kumar and the lively Varsha. Prem carries
through the role with ease and one will really like that character
for the sincerity and the compassion associated with it. And,
what to say about Varsha?
This beautiful, bubbly actress brings that air of freshness
with her. It's a joy watching her.
Akshay Krishna's role is a curtailed one, but still he manages
to breath fire into that role. Ananth Nag, Vinaya Prasad,
Jai Jagadish, Vijaya Lakshmi Singh and the girl who has played
Prem's sister role, have done justice to their respective
roles. Sharan provides the much needed comic relief.
The only negative point in the movie is the length of the
second half. It drags a bit and brings down the tempo of the
first half. Also, the song 'oh beLadingaLe' was un necessary
and a real patience tester for the audience. Also, the song
Ajantha Ellora comes towards the fag end, much to the surprise
of the audience. Easily, some 10-15 minutes could've been
trimmed in the second half, in which case, film would've easily
fallen into the great movies category.
Climax is also predictable.
Even then, don't worry, go for Nenpirali, it would be one
of the best Kannada movies you would've watched in the recent
times. Go and enjoy it, since, idu hrudayagaLaa vishaya.
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